Showing posts with label slow session. Show all posts
Showing posts with label slow session. Show all posts

1.10.2008

Living in a Virtual World

Well, this takes the cake: I just finished reading a virtual interview between two avatars in a virtual lounge in Second Life, a virtual metaverse. The woman conducting the interview is a non-profit professional, and the woman being interviewed is the first person to have an avatar that earned One Million Actual US Dollars selling "real estate" in a virtual reality setting. That is pretty incredible. Someone will pay actual real discretionary income to purchase a plot of megabytes on a "private" island next to a pix-alicious waterfall so they can build their virtual dream home.



Where do they find the time?

Hey, don't get me wrong. I like the internet as much as the next guy. Well, maybe a little less than your average 15-year-old. And I'm reasonably savvy, but I haven't cottoned onto constant texting like every normal 24-year-old. MySpace is only now becoming a reality for me. And YouTube. Hey -- you can market your music there! (Our buddy David from the session did. Check out his band's video: http://www.youtube.com/watch?v=k9Oz6_Ptizs. Excellent playing!)

When I first read this interview, I was struggling to understand how one would be attracted to the idea of creating a wholly new life and self in a brand new universe and making the time to live it. I mean, my whole life is really pretty filled up with living the life I already have. And then to have the wherewithall to create an income stream out of relationships forged with a whole bunch of people who are also sitting around in their jammies and fuzzy slippers, typing on their computers. Pretty creative.

So what happens in this "metaverse"? Well, people create their avatars, get oriented to their new world, make new friends, run around like maniacs, and maybe get their groove back. And then -- and here's the surprise -- they get bored. And they start to look for more. More? I don't mean more funky virtual clothes or jewelry or cars or houses or lovers or food or whatever consumeristic needs this fantasy world can fulfill. I mean more like finding your purpose or making a difference or needing to change the status quo. That's a question, though, isn't it? If you've just created this perfect self and environment and whatever, why would you need to change it? Isn't everything hunky dory?

Why would you want to change something that's completely made up? Isn't it just a pretend world? You can make it whatever you want, right? Well, No. There are other people creating their own experiences. It's not static. Things are constantly changing. Which would, perhaps, explain why there are activists and do-gooders in virtual worlds too. We aren't really changing the society completely, we're just moving it from one plane to another. Think about it: you go there and reinvent yourself. At the same time, zillions of other people are doing the exact same thing. Maybe you can change the way you look or what your life looks like or how you behave. And everyone else is doing that, too. Look, you can change yourself all you want, but you can't really change the fact that once you're there and someone else is there, it's sort of automatically a new society. A community. Whether you wanted it to be or not. So, now I get it. (Anthropology rules!) We go there to be someone we're not, have things we don't, create things we do. We want things to be better there, so we make an effort to make them better. And that includes charity in thought, word, and deed.

The person who made her Million-in-a-Metaverse has now become a metaphilanthropist. First she used some of her proceeds to sponsor a person who couldn't afford the fees to have access to Second Life. Seems like sort of a weird charity, but hey...she gave someone who couldn't afford it access to a global village. This guy, from an impoverished family in Southeast Asia or somewhere, could connect with people in Brazil, the U.S., South Africa, Iceland, or wherever the people he met were from. I'd say that's an incredibly cool opportunity, wouldn't you?

Next she saw an opportunity to foster real meaningful dialogue among Second Lifers on a larger scale. She had seen and heard avatars having thoughtful and informed conversations about real issues. So she donated the real estate to develop a Non-Profit Commons, a virtual suite of non-profit organizations to give them a place to promote themselves, connect with volunteers and people in need. Residents of the metaverse can visit, get involved, make a donation, or decide it's not for them and start stalking the hot chick who works at TechSoup.

Even in this virtual reality, you can volunteer your real time and energy, you can organize, you can create virtual events and hold them. There are people literally making a living by interfacing with this virtual metaverse. You can buy a private island to host your event. Big corporations are doing it. I think Google owns an island where their employees can "go" to attend company conferences or corporate training. Heck, the American Cancer Society held a virtual relay-for-life. In their first year, they raised $5,100. In their fourth year, they've raised over $100,000 without anybody strapping on sneakers. I know...it kind of defeats the purpose of a walk. But look, people clearly want to be engaged in community, and if you build it, they will come!

All right. Why is she talking about virtual reality? Has she completely lost her mind? We're not dialing it in from our computers. Is she selling Amway? Is she nuts?

Here's the thing: I'm not talking about virtual reality. I'm talking about us. About community. Our Slow Session is a community. Old Songs is a community. Neither are static. They're both growing. Both are stronger and better because you are involved, because YOU show up.

No matter what face you put on to come to session, no matter whether you're totally confident in your playing, working at it, or completely new at it and afraid of screwing up in front of everybody, you're part of our world. This session is about welcoming new people, helping to keep regular attendees growing and moving in the direction they want to go, and building confidence.

Remember, in this universe:
1. mistakes are welcome, even encouraged.
2. learning by ear is encouraged: bring a recorder and get the tune as it is played at the session.
3. we do care what you think: give constructive feedback if you think there's something you'd like to see happen.

What's Next for The Session?
In the spirit of growing and changing, we've found that maybe a little bit of a new approach would help keep the session fun and useful! Here's what's happening:

Session Portion
1. We're enjoying learning Waltzes. If Jeff is around, perhaps he'll start us off with one.
2. We'll start off each session evening by playing some sets of tunes. I'll be posting those shortly. If you want to suggest a set, please comment or e-mail me.
3. We'll play established sets every time, if we can get through them. This will help us get used to playing tunes in sets, get used to changing from tune to tune, and keep us building our repertoire.
4. We'll add new sets every time -- we can put some together right on the spot, incorporating tunes from the big lists, and new tunes that we're working on.

Learning Portion
1. We'll work on a few learning tunes: one or two from spots, and one or two by ear, depending on what people are interested in, and what they'd like to learn. Again, send recommendations or make a comment to the blog.
2. We'll finish up with either a slow tune or a new waltz and an old waltz, if Jeff is with us.

I hope this new format will be enjoyable for everyone.

Again, thank you so much for continuing to be a part of the slow session community, and welcome to those who are new. Thank you for bringing a vibrancy to Old Songs, along with all the other DIY-ers who make music during the week. Because of you, Old Songs is growing in so many wonderful ways. Old Songs isn't virtual, it's a reality. But it can only stay a reality if we support it. So, next time you're surfing around on the web, and you're feeling a little meta-philanthropic, visit the Old Songs site (http://www.oldsongs.org/) and consider making a donation. Keep the groove alive!

Happy New Year to you all!

The Trad

11.07.2007

Brrrr. Feels like Winter!

Hi! Remember me? The Trad? I'm still here. I haven't forgotten you, I promise! It's already November. I can't believe it! Where did the time go?

I guess when it feels like summer all the way through October, you can't be faulted for not realizing it's nearly winter, can you? But the heat in our house is on, and I cannot ignore reality for much longer. I wear long johns now when I sit at the computer. I'm thinking about breaking out the fingerless mitts my folks gave me for Christmas last year...

Friendly note: If the heat is on in your house, put your dampit in your case or your instrument right away! I gave you this lecture last year, so I'll spare you, but if you need one: for fiddle/mandolin http://www.musiciansfriend.com/navigation?q=Dampit; for guitar/bouzouki http://www.musiciansfriend.com/navigation?q=guitar+humidifier&src=00630&247SEM; for flute: http://shakuhachi.com/Q-Acc-Humidifier.html. For accordion? You wanta go in there and scrape the rust off?

Rick (in Eric's guitar class) keeps his home humidified and leaves his guitars out on stands or the wall. I envy him, frankly, because that means he lives in a more modern dwelling. We live in a 150 year old home. There are gaps in the floorboards. Everything shrinks up in the winter. It's easier (and probably cheaper) for us to slather ourselves with lotion and put dampits in the instrument cases. The cat and dog disagree, but they're not paying the bills, now are they?

Anyway, Slow Session is next Wednesday, Nov. 14 at 7:30 PM. Roger Mock will be finishing up his guitar class at about 7:15, so if you come in early, please just mill around and let them finish up! I will be working on pulling together versions of tunes tonight and will post them on a page on my website. I'll also bring the spots for the tunes. Julie and Jennifer had a great idea in September: they both had binders with their tunes in them. That's one way to keep track of what we've worked on, or tunes you'd like to recommend. I'd still like to get away from using the spots DURING the session, though, as much as possible! I love the idea of having a reference book for tunes, and we should have that before Christmas, but let's keep the session focused on playing tunes slowly, and not using the music so much, ok?

Now that we're picking tunes the month ahead, and posting them, everyone should have time to practice the tunes before coming. We still want to keep tunes as a slow pace. There are other opportunities, such as the Comhaltas session or the Jose Malone's session to try out your tunes in a regular session setting. This is the repertoire building opportunity! And I thank you all for making it possible. I love learning new stuff, going over old stuff, and developing my ear thanks to you guys. I hope you're enjoying it too.

See you next week, and until then, stay toasty!

The Trad

10.12.2007

Nice Session!

Thanks to everybody who came out, especially George for teaching us tunes. It was great to see Pete and Diane again, too, and welcome to Sean and Dick! Jeff, Karen, Dave, Karin, and Colleen were there, too, so you see we had plenty of talent and a lot of laughs! There's room for more bodies, so if you see something on the list below that you like, plan on joining us for next time.

To our new friends, I should mention that usually we're a little bit more of a lively group, but I think we were all half asleep, so come back next time and I promise to be more cheery!

October 10
We worked on tunes by ear this time -- the photocopier doesn't like me...
Colerain Jig (with all the sharps!)
The Peacock's Feather (Dmaj) Hornpipe
some waltzes, including Gentle Maiden and Southwind. I think there were more, but I can't remember names. I think we all liked Gentle Maiden, so I'll bring copies next time.

Thank you to Pete and Sean for bringing treats....

I enjoyed getting the chance to really learn a tune by ear instead of blasting through it on paper. Keep practicing the tunes from this month, so you have them for next! I told Elaine in an e-mail that Trusty Companion and I loved King of the Fairies so much that we are playing it now in gigs!

Learning Tune List for November 14:
Reels: Father Kelly's Speed the Plough
Hornpipes: review of Peacock's Feather (DMaj) and we'll learn the minor Peacock's Feather
Set Dance: Jockey to the Fair
Waltz: Gentle Maiden
O'Carolan: Morghan Meghan
Jigs: still open for someone to pick! Send me an e-mail or comment on this post!

Just so we're playing the same version anyway, let me pull together some music for y'all to check out. I'll bring spots to the session next time, and not try to rely on the Old Songs copier. As I said, it doesn't like me much...I'm feeling kind of the same way about the copier, frankly!

Best wishes to Julie and her family on their trip to Kazakhsthan! We look forward to seeing you in November!

And don't forget, the East Coast Pipers Tionol (www.eastcoastpipers.com) is coming up on Oct. 26-28 in East Durham (Gavin's Golden Hill Resort). Don't miss a great concert, a chance for fiddle or pipes classes, and plenty of session action!

Happy Playing Y'All!
The Trad